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You knead it a little here and there and then you graft it onto your flatty, and if the surgery takes, you get someone more lifelike. I also find a good little trick in character development is grafting reality onto your fiction (sounds kind of obvious, but it’s worth underscoring).From there, you get this sort of interplay between a developed character and the setting, plot, and other characters, and that former flatty grows more and more just as a result of coming into contact with and reacting to those other elements. Let’s say you’ve got this character that just won’t go dimensional. You can reach into your personal life, or your memory, or even the zeitgeist, and swipe a feature or two from someone you’ve really known, or someone who really exists.It’s a perfect collection for a world which confronts us with increasing violence and ugliness every day.” Paul Carlucci is the author of The Secret Life of Fission, which won the Danuta Gleed Literary Award. She was the fiction editor at Anansi, the one to sign me, and the one who worked on most of the manuscript with me, as well.

The other, quite frankly, was to explore my seventh decade—I’ve come into a whole new decade in my life. So it’s just…it’s been great all around,” says the 66-year-old who earned an Oscar for Best Actress for her portrayal of Loretta Lynn in Coal Miner’s Daughter. Hopefully there will be,” notes Spacek who loves being part of the Bloodline family. Spacek describes Bloodline’s writers as “fabulously talented”.In this week’s Chat, I’m in conversation with Paul Carlucci, author of the deeply compelling new short story collection A Plea for Constant Motion.Reviewing the collection in the Toronto Star, Robert Wiersema says Carlucci “writes beautifully of ugliness, immersing the reader in the minds and hearts of characters most of us would like to avoid, or, more critically, would prefer to believe didn’t exist.But what I admire most about the talented actress (besides the fact that she is as sweet as you would expect) is the wisdom and thought she puts behind her work, and the effort she makes to grow personally and professionally.Taking on the Netflix series Bloodline and character Sally Rayburn gave Spacek a complicated character and the opportunity to dive into new waters— television without commercial breaks.In high school and college, I went through different phases. The first so-called serious literature I read was Ernest Hemingway.